[{"data":1,"prerenderedAt":99},["ShallowReactive",2],{"blog:\u002Fblog\u002Favia-pictura":3},{"id":4,"title":5,"body":6,"description":81,"extension":82,"image":83,"meta":84,"navigation":85,"path":86,"publishedOn":87,"seo":88,"slug":89,"sourceUrl":90,"stem":91,"summary":92,"video":93,"wpId":97,"__hash__":98},"blog\u002Fblog\u002Favia-pictura.md","“Avia Pictura”",{"type":7,"value":8,"toc":77},"minimark",[9,32,35,41,59,74],[10,11,12,19,20,25,26,31],"p",{},[13,14,18],"a",{"href":15,"rel":16},"https:\u002F\u002Fvimeo.com\u002F428455149",[17],"nofollow","Avia Pictura # 1"," from ",[13,21,24],{"href":22,"rel":23},"https:\u002F\u002Fvimeo.com\u002Fuser9415879",[17],"David Moraton"," on ",[13,27,30],{"href":28,"rel":29},"https:\u002F\u002Fvimeo.com",[17],"Vimeo",".",[10,33,34],{},"The “Avia Pictura” series is what I am doing lately, both sounds of birds and myself painting together, on real time.",[10,36,37],{},[38,39,40],"strong",{},"About the “Avia Pictura” Series",[10,42,43,44,47,48,51,52,55,56,31],{},"2019 and 2020 clearly sets a return to the ",[38,45,46],{},"oil painting media"," that forged David Moraton as an artist, but empowered by all the creative advantages of ",[38,49,50],{},"digital technology"," he has been mastering through the past years. A clear representation of this is the ",[38,53,54],{},"‘Avia Pictura’"," series. While in his previous digital works long render times were needed to obtain a finished frame, for these new works the artist wanted an immediate visual feedback. That’s why for the last 4 years he has been deepening into coding in real time graphics to build his own oil painting simulator: a tool that converts instantaneously digital pen movements and sound waves into painting strokes, with ",[38,57,58],{},"physically correct colour mixing",[10,60,61,62,65,66,69,70,73],{},"The sounds of “Avia Pictura” are recordings of ",[38,63,64],{},"‘Tui’ birds from New Zealand",", who truly become co-performers of the creative process, blending their colours with the ones Moraton has applied, with a sometimes destructive interaction, sometimes collaborative. Clearly continuing the ",[38,67,68],{},"synaesthetic"," path initiated by ",[38,71,72],{},"“Visus Sonitus I”"," (a visualisation of Rautavaara’s Birds Concert for Birds and Orchestra, shortlisted in Lumen Prize 2015), this video sets though a different declaration of intention: it’s the immediacy and the performative process what he is interested in, how I react to his sensorial environment and how the environment influences the evolution of the work.",[10,75,76],{},"Being done in one take, with no cuts, edits or re-times, “Avia Pictura” videos are ultimately a very personal reflection, a work that embraces the process over the final result, with the meditative state and the ‘real time’ life connection that comes from it”",{"title":78,"searchDepth":79,"depth":79,"links":80},"",2,[],"Avia Pictura # 1 from David Moraton on Vimeo.","md","\u002Fblog\u002Favia-pictura.jpg",{},true,"\u002Fblog\u002Favia-pictura","2020-07-30",{"title":5,"description":81},"avia-pictura","https:\u002F\u002Fdavidmoraton.visuscreatives.com\u002F2020\u002F07\u002F30\u002Favia-pictura\u002F","blog\u002Favia-pictura","Avia Pictura # 1 from David Moraton on Vimeo. The “Avia Pictura” series is what I am doing lately, both […]",{"provider":94,"id":95,"url":96,"embed":96},"vimeo","428455149","https:\u002F\u002Fplayer.vimeo.com\u002Fvideo\u002F428455149",3754,"MNPaewyxgXPzbXcR9vD2hyOWkrDdn1vvQwtKGD7XE7g",1793687220028]